time&matter_shaper – electronics_performer – technical_producer
ARGONAUTICA // 2025
A site-specific audiovisual performance for 2 kinetic-sound sculptures, 2 submarine operators, video, light installation and electronics // 20′
Collaboration with Severin Dornier
Production: IRCAM, Paris
in the beginning everything was white // 2023
Micro opera for soprano, e-guitar, percussion and electronics
by Itziar Viloria, Alex Tentor & Jordi Oriol
Commissioned by Gran Teatre del Liceu, Barcelona
Circular forms // 2024
for FRAMES Percussion
Commissioned by FRAMES Percussion and funded by the Ernst von Siemens Music Foundation
EXIT MUSIC // 2021
for The Black Page Orchestra
Commissioned by Gaudeamus Muziekweek 2021
Collaborations in progress:
Eliott Delafosse: First EP of the duo Aggressive Cuteness // 2026
Lluïsa Espigolé : NATURA MORTA – A project for the extension and the hybridization of the piano through electronics and DIY electronic objects. // 2025-2026
Lucie Wahl: Field sound ambeo recording, composition, sound design and spatialisation for Echoes of Care, a multichannel video installation accompanied by an immersive soundscape by Lucie Wahl. // 2026
Sustraiak // 2024
for sax quartet and transducers
Commissioned for La teoría de Gaia project by AsLan Ensemble
OIHARTZUN GORRIAK // 2024
for string orchestra, percussion and electronics
Co-commissioned by
Real Filharmonía de Galicia and Basque National Orchestra
Baldur Brönnimann, conductor
until it is everything // 2022
for electric guitar
Alex Tentor & Itziar Viloria
AGENDA
13 JAN 2026 //
Régie technique for Concert Croisé
With ensembles Proxima Centauri & L’Itinéraire
Works by Alla, Kaneko, Cano Valiño, Jodlowski, Leroux, Giménez-Comas.
La Marbrerie, Montreuil (FR)
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27 JAN 2026 //
Electronics performing with Frames Percussion —
Works by Ortiz, Matalon, Cano Valiño, Luna and Maiguashca.
Palau de la Música Catalana, Barcelona.
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29-30 JAN 2026 //
NATURA MORTA album recording
Lluïsa Espigolé, piano; Itziar Viloria, electronics.
Protomaterial Records
31 JAN 2026 //
NATURA MORTA
Lluïsa Espigolé, piano
Itziar Viloria, live-electronics
Centre d’Art la Panera, Lleida (CAT)
JAN-JUN 2026 //
Pedagogical project with Ensemble L’Itinéraire
Collège Françoise Dolto, Paris 20.
14-20 FEB 2026 //
Artistic residency for the first EP of Aggressive cuteness
Eliott Delafosse & Itziar Viloria, composition and electronics.
RAID ⚡ // 2021
Dylan Chandler sax
Roger Pi drums
Aleix Triadó e-guitar
Itziar Viloria electronics
1997
Meatzaldea (Basque Country) – Barcelona – Paris
COMPOSITION + PERFORMING + IMPROVISATION:
Her interest in transdisciplinary art, mixed music and models of collaboration has led her to work with architects, set designers, actors, and musicians from different backgrounds with whom she develops her intermedia language of composition and performance. Some notable collaborations include Severin Dornier, The Black Page Orchestra, Lluïsa Espigolé, AsLan Ensemble, FRAMES Percussion, Alex Tentor, Jordi Oriol, , Luis Azcona and RAID.
TEACHING + PEDAGOGICAL PROJECTS:
She taught Composition at the bachelor degree in Taller de Músics (ESEM), Barcelona. She often collaborates with different institutions and music ensembles for pedagogical projects in public schools such as “Els Compositors entren a l’aula” in Barcelona or currently with the Ensemble L’itinéraire in Paris.
TECHNICAL PRODUCTION + STAGE MANAGING + CURATING:
Currently, in addition to working on her own projects as a composer and electronic performer, she is part of FRAMES Percussion as live electronics technical producer and performer (RIM), she is part of the artistic commission and the technical producer of the concert series for unusual music Difraccions, works as a freelance stage manager (Régisseuse technique & plateau).
>> Projects as electronics performer and multimedia technical producer
Academic education and professional training
2024-2025: Cursus program on Composition and Computer Music, IRCAM (Paris).
2023-2024: Postgraduate Studies in Stage and Digital Technology, Institut del Teatre (Barcelona).
2017 – 2021: Bachelor‘s Degree in Composition, Escola Superior de Música de Catalunya (ESMUC, Barcelona).
2015 – 2017: Bachelor‘s Degree in Art, University of the Basque Country (UPV-EHU).
2012 – 2017: Professional Degree in Classical Piano, J. C. de Arriaga Conservatory, (Bilbao).
Mentors
Christophe Havel (ESMUC), Pierre Jodlowski and Sébastien Naves (IRCAM).
Commissions, awards and collaborations
2026-2027: Sound design and composition for La Koreana, un poema ferromagnético de luz y memoria, a full-length film by Joana Moya.
2026: Artist in residence for a dance/music creation. éOle Studio, Toulouse, FR.
2026: Field sound ambeo recording, composition, sound design and spatialisation for Echoes of Care, a multichannel video installation accompanied by an immersive soundscape by Lucie Wahl.
2025: EP composition, performing, recording, production and mixing. Collaboration with Eliott Delafosse.
2025: Serie ferromagnética, a 3 electroacoustic piece series for an art exposition communication, Arts Santa Mònica, Barcelona.
2025: ARGONAUTICA – A site-specific audiovisual performance for 2 kinetic-sound sculptures , 2 submarine operators, video, light installation and electronics. Collaboration with Severin Dornier. IRCAM Paris Production.
2025-2026: NATURA MORTA, a project for the extension and the hybridization of the piano through electronics, collaboration with Lluïsa Espigolé. Concert and album formats.
2024: Circular forms for percussion quartet and sampler, commissioned by Frames Percussion and funded by the Ernst von Siemens Music Foundation.
2024: Oihartzun gorriak for orchestra, co-commissioned by Real Filharmonía de Galicia and Euskadiko Orkestra – Basque National Orchestra.
2023-2024: Sustraiak for sax quartet and electronics commissioned by AsLan Ensemble.
2023: My noise diary: Can you hear me? for drums and electronics commissioned by Luis Azcona.
2022-2023: in the beginning everything was white commissioned by Gran Teatre del Liceu.
2022: Selected for “Composers Journeys” project by Ulysses Network, European Creative Programme. Destinations: ManiFeste 2022, IRCAM, París and Warsaw Autumn 2022.
2022: until it is everything for e-guitar, collaboration with Alex Tentor.
2022: Azul Desierto for processed alto sax commissioned by Desclasificados and CentroCentro, Madrid. Premiered by Luis Homedes.
2021: Selected for “Composers Journeys” project by Ulysses Network, European Creative Programme.
2021: Exit Music for The Black Page Orchestra commissioned by Gaudeamus Muziekweek 2021 and Ulysses Network.
2021: Schematic chart of nothing vs everything for e-guitar selected by Samuel Toro-Pérez in IMPULS call for scores.
2020: Kresala for ensemble commissioned by Festival Mixtur. Premiered by Garage Ensemble.
2020: Olatuak apurtzen diren bazterretan,… for amplified piano commissioned by Iñaki Gezala
2020: under pressure for soprano commissioned by Patricia Castro.
2020: Sound intervention commissioned by cicle OUT·SIDE.
2019: Akasha for alto sax and harp commissioned by Ariana Cunha.
2019: Tríptico for tenor sax and percussion commissioned by Ailen Lazo and Daniel Munarriz.
Itziar Viloria 